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About the Lawrence Wilson Art Gallery
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The Lawrence Wilson Art Gallery is one of Australia’s
premier university art museums, with a wide ranging and
challenging program of exhibitions, public programs, events and
publications. The Gallery’s programs endeavour to connect its
audiences with ideas and experiences of the visual arts and
culture, in ways that are simultaneously scholarly and
engaging.
The Gallery’s audiences include the University community, the
students, staff and alumni of the University of Western
Australia (in keeping with the Gallery’s broad educational
mission), and to communities well beyond its borders, locally,
nationally and internationally. The Gallery is part of the
UWA’s Community Relations division.
The Gallery building, completed in 1990, was the first
dedicated, purpose built art museum building in an Australian
university, and it remains one of the largest and most
attractive. The building was constructed very largely with
funds raised from alumni, public and corporate donations.
Located on the beautiful grounds of the University of Western
Australia, the Gallery has three major exhibition spaces,
extensive public areas, and high quality collection
storage.
Personal+Particular: Private collections
and contemporary art, 27 October–15 December 2002
The Lawrence Wilson Art Gallery has a strong exhibition
history, producing substantial exhibitions of Australian art,
both contemporary and historical, working with individual
artists and groups, and presenting important touring
exhibitions since its inception, and through its predecessor,
the Undercroft Gallery, since the early 1970s.
Gallery staff are responsible for the care and development of
the UWA Art Collection, a nationally significant collection of
Australian modern and contemporary art. From its beginnings
collecting activity has focused on art of the moment, and on
acquiring new and innovative art, whether by gift or purchase.
The earliest acquisitions for the Art Collection were made in
the late 1920s, and it has grown with substantial support from
private collectors, significant bequests, and, at times, public
funding to be the major public collection, outside the state
gallery, in Western Australia.
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